Top half untouched: the mark, Ascend INTERACTIVE, and applied intelligence in the serif. Everything below is IBM Plex Sans, the same family as the wordmark. Phone numbers use lining figures so the digits still line up without the typewriter font.
Your current arrangement with the typewriter font removed. The blue rule stays, the title goes small and tracked under the name. Least change, and the closest to the printed card.
applied intelligence
Nothing on the right. Name, a hairline, then one quiet line holding the rest. Calmest of the four, and it gives the card real white space — but the email sits at the same size as the city.
applied intelligence
Name and title sit on one line, separated by weight and color instead of position, with a short blue bar to start it. Contact drops the hierarchy games and just stacks. The most modern of the four.
applied intelligence
The role goes above the name, tiny and blue, the way a masthead labels a section. No rule needed — the blue line of type is the rule. Strongest hierarchy, and the name gets to be the biggest thing on the card.
applied intelligence
Say a letter and I'll build it into the card and put it live. My pick is D — it settles the hierarchy question the current card keeps arguing with itself about, and the small blue line ties the bottom back to the tip of the mark. A is the safe one if you want to change as little as possible.